26 February 2020

Cultural Studies - Workshop by Dr. Kalyani Vallath













Evolution of cultural studies Marxist Revisionism Hegelian Dialectical Method New LeftWorking-class culture and Mass Culture Cultural Intermediaries Popular cultural studies Subcultural studies Trauma studies Visual cultural studies Celebrity cultural studies 






The first session started with an introduction of interdisciplinary study in that a particular topic explains how culture relates to the largest society such as politics dynamics mass media, culture transforms individual experience and social realities and power relations. And then the beginning of cultural studies at  Frankfurt school, institute for social research Moving forward gives a very critical theory that relates to cultural studies such as a  Hegelian theory dialectical method to study culture. The very point is included in her very brief introduction of cultural studies is that what is enlightenment cultural industry and what is a particular center for contemporary cultural studies.











Afternoon sessions continuously floating in her enthusiastic way and come back to popular&culture studies which are prevailed in the late 1970 and 80'th centuries onwards. These studies including the study of comic books television and the internet. Very psychologically significant theory which is given by Sigmund Freud and his contemporary is  Trauma studies, expands the study of the relationship between #Truma and #mental illness. The world a session ended with a very eminent #Queer_studies, involves the idea of Identity politics lived experience performance and nature of sexuality. So thank you is a very short and small world to Express our gratitude for you. thank you very much for your arrival Dr. Kalyani mam vallath , here I want to quote that





Thamk you..

23 February 2020

Thinking Activity: Technoculture, Speed and Slow Movement







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The slow movement (sometimes capitalized Slow movement or Slow Movement) advocates a cultural shift toward slowing down life's pace. It began with Carlo Petrini's protest against the opening of a McDonald's restaurant in Piazza di Spagna, Rome in 1986 that sparked the creation of the slow food movement. Over time, this developed into a subculture in other areas, like the Cittaslow organization for "slow cities". The "slow" epithet has subsequently been applied to a variety of activities and aspects of culture. Geir Berthelsen and his creation of The World Institute of Slowness presented a vision in 1999 for an entire "slow planet" and a need to teach the world the way of slowness. Carl Honoré's 2004 book, In Praise of Slow, first explored how the Slow philosophy might be applied in every field of human endeavor and coined the phrase "slow movement". The Financial Times said the book is "to the Slow Movement what Das Kapital is to communism". Honoré describes the Slow Movement thus:

"It is a cultural revolution against the notion that faster is always better. The Slow philosophy is not about doing everything at a snail's pace. It's about seeking to do everything at the right speed. Savoring the hours and minutes rather than just counting them. Doing everything as well as possible, instead of as fast as possible. It’s about quality over quantity in everything from work to food to parenting."- Reda



For more information, you can access Carl Honoré's official website and a TED talk that he gave in London in which the author explains his insights on ‘Slowness’ (see below).


Thinking Act: Digital Humanities







1. Define Digital Humanities?

Digital humanities (DH) is an area of scholarly activity at the intersection of computing or digital technologies and the disciplines of the humanities. It includes the systematic use of digital resources in the humanities, as well as the analysis of their application. DH can be defined as new ways of doing scholarships that involve collaborative, transdisciplinary, and computationally engaged research, teaching, and publishing. It brings digital tools and methods to the study of the humanities with the recognition that the printed word is no longer the main medium for knowledge production and distribution. The definition of digital humanities is being continually formulated by scholars and practitioners. Since the field is constantly growing and changing, specific definitions can quickly become outdated or unnecessarily limit future potential. The second volume of Debates in the Digital Humanities (2016) acknowledges the difficulty in defining the field: "Along with the digital archives, quantitative analyses, and tool-building projects that once characterized the field, DH now encompasses a wide range of methods and practices: visualizations of large image sets, 3D modeling of historical artifacts, 'born digital' dissertations, hashtag activism and the analysis thereof, alternate reality games, mobile maker spaces, and more. In what has been called 'big tent' DH, it can at times be difficult to determine with any specificity what precisely digital humanities work entails (Wikipedia)


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"This final section of Digital Humanities reflects, but can also stand alone as a concise overview of the field.  As digital methodologies, tools, and skills become increasingly central to work in the humanities, questions regarding fundamentals, project outcomes, assessment, and design have become urgent. The specifications provide a set of checklists to guide those who do work in the Digital Humanities, as well as those who are asked to assess and fund Digital Humanities scholars, projects, and initiatives."

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 Yes, it is needed for the study/research of literature because It has been well used in English languages ​​so it can assist in the study/research of regional literature written in all languages ​​(such as Hindi, Sanskrit, Gujarati, Marathi, Tamil, Telugu, etc.) as it helps in the study of literature in English.









21 February 2020

Thinking Activity: Cultural Studies in Practice: Frankenstein & Writer's Market





writer, artists and their marketing.




Before people do business with other people, they want to know who they are doing business with. They make a complete bio on the website; Make sure you include pictures, location, contact information, reviews and other important information. There are a lot of brick and mortar business owners using author's help. Many authors create public relations articles to help their customer image. Give everyone you receive a business card, and let them know what kind of writer you are and how you can help them achieve their goals.

Social media marketing is undoubtedly one of the best methods of marketing. Every social media site has its pros and cons, so be sure to create an account on every major site, such as Facebook, Twitter, Google+ and YouTube. Experiment to see how each site can benefit your business. Becoming a movie on racism has some inciting public talk in social media, and it benefits the audience. Write and place articles on high quality article directories. High-quality article directories are usually directories that do not compensate their contributors in any way; This will reduce the amount of low quality or spam articles. Make sure you link back to your site in the submitted articles.


Don't be afraid to meet new people. You never know who will come in and help your business succeed. By constantly meeting new people, you can grow your customer base faster. Your business is based on the relationships you build with people.Image depicting Craigslist shown in Take advantage of free ad sites like Image Craigslist via Crunchbase. You can also post ads on local paper. Many people still search for classified ads to find services.


Copyright is a legal concept describing rights given to creators for their literary and artistic works which include books, music, works of fine art such as paintings and sculpture, as well as technology-based works such as computer programs and electronic databases. A work does not need to be published or ‘made available to the public’ to be protected. It is protected from its creation. As seen earlier, copyright law protects only the form of expression of ideas, not the ideas themselves. The creativity protected by copyright law is creativity in the choice and arrangement of words, musical notes, colors and shapes. Copyright law protects the owner of property rights in literary and artistic works against those who ‘copy’ or otherwise take and use the form in which the original work was expressed by the author. To qualify for copyright protection, a work must be original. An original work is one that ‘originates’ in its expression from the Managing Intellectual Property in the Book Publishing Industry 13 author, that is, the work was independently created and was not copied from the work of another or from materials in the public domain. The exact meaning of originality under copyright law differs from one country to another. In copyright law, originality relates to the form of expression and not to the underlying idea.



The Da Vinci Code Case
The copyright infringement case against the publishers of The Da Vinci Code was brought by Michael Baigent and Richard Leigh, two of the authors of a
1982 non-fiction work, The Holy Blood and The Holy Grail. At the center of the dispute was a hypothesis presented in The Holy Blood and The Holy Grail concerning the early Christian legend of the Holy Grail. The core of the authors’ hypothesis was that references to the Grail in early manuscripts were disguised references not to the chalice, but rather to the bloodline of Jesus Christ. Baigent and Leigh used six known ‘indisputable’ historical facts, or supposed facts, though their conclusion was the result of ‘historical conjecture’ based on those facts. This quasi-historical approach was also the basis of various other published hypotheses. Baigent and Leigh claimed copyright in the literary work and alleged that Dan Brown, author of The Da Vinci Code, had copied the way in which they had made the sequence of connections of the facts of the merging of the bloodlines. Since there was little copying of the actual text of The Holy Blood and The Holy Grail, the claim was that there had been non-literal copying of a substantial part of their literary work. The Holy Blood and The Holy Grail is comprised largely of historical facts, which are unprotectable ideas. Baigent and Leigh, therefore, based their case on the claim that Brown had taken a substantial part of the “manner” in which they had expressed those ideas. The court held that, while the evidence was clear that Dan Brown had drawn on the Holy Blood and The Holy Grail, this did not mean that he had infringed copyright in the book. Rather, he had used the book to provide general background material.

Thinking Activity:Culture studies in Practice: Hamlet and To His Coy Mistress



Image result for cultural Study of  Hamlet


Study of  Hamlet

Rosencrantz and Guildenstern both are marginalized characters in this novel. Let see the approach Shakespeare's Hamlet with a view to seeing power in its cultural context.
        Hamlet is a powerful position of the man Hamlet's father killed by his uncle  Claudius and after his father's death, his uncle becomes king so here we see the power of kingship. finally, hamlet is decided to revenge his uncle. After the play within the play, Claudius is talking very privately with Rosencrantz and Guildenstern. This character is jealousy of hamlet because the novel is the most important of hamlet. He is a domestic or violent man. Hamlet's fellow students from Wittenberg and with this response to Claudius plan to send Hamlet to England. Both an excellent set of metaphors and a summation of the Elizabethan concept of the role and power of kingship. 


The singular and peculiar life is bound with all the strength and armor of the mind to keep itself from noyance, but much more That spirit upon whose weal depends and rests The lives of many. The cease of majesty died not alone, but like a gulf doth draw what's near it with it? It is a massy wheel Fixed on the summit of the highest mount. To whose huge spokes ten thousand lesser things are mortised and adjoined; which, when it falls each small annexment, petty consequences attends the boisterous ruin. Never alone Did the king sigh out with a general groan?

 The passage is a thoughtful one. It is praiseworthy of a wise and accomplished statesman. The novel is the most important of the power or they can have very sophisticated of the way. Hamlet soliloquies, king’s soliloquy of  conscience his futile efforts to pray to God have been considering the line as Rosencrantz’s speech   

    " Rosencrantz and Guildenstern are among the jellyfish of Shakespeare's characters” Rosencrantz and Guildenstern are a marginalization character in the Shakespeare novel.  Both are voiceless and it is easy to forget which of the two speaks. He is a very beautiful or modern character in the play. Rosencrantz and Guildenstern are distinctly plot-driven empty of personality in a different way and eager to curry favor with power even if it means spying on their erstwhile friend. This novel is two characters of marginalized, then let us look upon Rosencrantz and Guildenstern. There are different from the novel. 

The meaning of the name

The meaning of their name it different or hardly match what seems to be the essence of their characters. Murray J. Levith is written by Rosencrantz – “Garland of rose” or  Guildenstern – “Golden star”
   
Their character is a very different individual, corporative. But most important of Hamlet because is a central hero or protagonist of the play. All the think of the power distance. This detail does not seem to fit the personalities and general vacuity of Shakespeare’s two incompetents. All that the two characters are tell us and let see what they do. We know that simply they are the students at Wittenberg. Claudius sends them with Hamlet. They both may not have to content of that letter or “Grand commotion”
       
They must sweep my way, And marshal me to knavery. Let it work, for it’s the sport to have the engineer hoist with his own petard. And it shall go hard but I will delve one yard below their mines And blow them to the moon: Oh,’ it’s most sweet When in one line two crafts directly meet.


    So all those things are shows cultural distance and power distance. The people are alike Shakespeare's novel because they are the use of very different or simple language. Hamlet's character is a philosophical or very domestic of the way.    There is someone who said that Sometimes people take the advice to write what you know pretty literally like Shakespeare, who failed Hamlet with self-conscious references to the working of the theater, but it is not just for lack of other material. Shakespeare very well presented the whole novel and if ever we wished to study two characters who are marginalized, then let us look upon Rosencrantz and Guildenstern. There are power conflict men or very powerfull characters of the play. 

Power comes from different situations and also behavior, where Hamlet's madness gives power to Claudius Hamlet’s behavior is very different or there are create to a Claudius because Claudius kills to hamlet's father. Claudius was aware of power, clearly when he observed of Hamlet's

 “ Madness in great ones must not unwatched go”      

The two-character death of the 20th century. For such is power in the world of kings and princes. The use of language is in that de-contraction or very simplified. Rosencrantz and Guildenstern are a marginalization hero are archetypal human being caught up on ship nowhere except to death.  Nor is it merely a literary construct. England had known the effects of such power off and on for centuries.



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Study of “To his coy mistress.           
Marvell’s romantic tour-de-force To His Coy Mistress is a rigorous representation of the spiritual and physical aspect of love.  It is a great poem on carpe diem tradition wherein we are confronted with a passionate speaker or lover who is requesting his beloved to forsake her shyness or modesty and submit herself to his embraces. The lover repeatedly offers a series of arguments in support of his proposition. With thoughtful wit and humor, he justifies that human life is essentially short-lived and thus it is wise to gratify sexual passion while they still have time at their disposal. Hence, he appeals to his beloved to stop the lingering and expedite the pleasures of the flesh.

At the very beginning of the poem, spiritual courtship is presented with a similar style and manner found in the poems of Petrarch. This is noted especially when the lover commends his beloved’s physical beauty. Just akin to a typical Petrarchan lover, the speaker praises the beauty of his beloved’s eyes and limbs in an extravagant manner. Afterward, the speaker’s spiritual love subsides and he tends towards the physical relationship. This urge for physical love has been reinforced through the carpe diem concept. By presenting the images of death and decay the speaker tries to justify the futility of resistance towards carnal pleasure:

Through the above coarse imagery, the speaker throws an implication towards his beloved to sacrifice her virginity to him rather than foolishly saving herself for the "worms" when buried. Then he also adds that after demise her virginity will be transformed into dust along with her body. He further adds that although the grave is a peaceful place none does make love there. Hence, death would definitely seize their opportunity to make love.

Thinking Activity: Five Types of Culture studies


                                                      









What is culture?
          It is very difficult to define the word ‘culture’ because it is an umbrella term. The word culture comes from the word ‘culture’ and ‘colere’. It means is ‘to cultivate’. It also means honor and to protect. By the 19th century in Europe it’s meaning was different it means the habits, customs, and tastes of the upper classes.






1)   British cultural Materialism:

Cultural materialism began in earnest in the 1950s with the work of F. R. Leavis, heavily influenced by Matthew Arnold’s analyses of bourgeois culture. “There are no masses; there are only ways of seeing (other) people as masses.” – Raymond Williams. 

R.Williams talks about the attribute of (1) working class (2) Elite class.

Britain has two trajectories for culture.
1). First leads to past culture preserver
2). The second leads to future

               
It as four types of academic literary criticism using in culture perspective as alike:

(1) Aestheticism
(2) Antihistoricism
(3) Formalism
(4) Politics


Cultural materialists also turned to the more humanized and even spiritual insights of the great students of Rabelais and Dostoevsky, Russian formalists especially his amplification of the dialog form of communal, individual and social.


 2) New Historicism:

          If the 1970s could be called the age of deconstruction some hypothetical survey of late 20th-century criticism might well characterize the 1980s as marking the Return to History, or perhaps the recovery of the referent.
New historicist seeks “surprising coincidences “that may cross.” Stephen Greenbelt coined the word New Criticism. “New historicism explains the word “Laputa” from Gulliver’s travels.“Laputa means the whore” it is described as the gigantic trope of the female body.
The “New Historicism” movement is led by Stephen Greenbelt. It refers to the historical nature of the text and the textual nature of history. It is different from the New Criticism in which theories like deconstruction and structuralism give importance to the linguistic approach of the text. On the other hand, new historicism connects the text with its non-literary, historical text and breaks down the distinction between them. It draws inspiration from Michel Foucault’s discourse and power that holds that we find the active reflection of the power relation of that time in the text and it makes and remakes the meaning. New historicism is less a theory for interpreting text and more a set of the shared assumptions that history and text are intimately interconnected.                                                   



  
   Example:
   (1) Rabbit woman: a female gives birth to a rabbit. (it is a satire on scientist and female)
   (2) Merchant of Venice: it shows Shakespeare's anti-Semitic.
  (3) Laputa: – Floating island   -   The Whore  Here I put image about that idea New Historicism is Historisze of history like.

American Multiculturalism includes:

American political history and we witness bloodshed and atrocities in the name of racism. Fifty years later, if we look at the matter now, we find the idea of race and ethnicity has evolved over the years. Social scientists believe that “race” is the whites’ construct rather than scientifically approved, to assign their privilege and dominance over the black. Interracial marriage is so widespread that the bicultural or multicultural American is the norm rather than the exception. With the huge influx of Mexican Americans, it is predicted that in 2050, English will no more be the national language and Anglo-American a majority.




African American Writers:
American Indian Writers:
Latin Writers Asian American writers:
Asian American Writers:

1). African American writers:

African American writer's subjects are multiple and the write about folk. Their writings target humankind. They are with “double consciousness.” African American Writing often displays a folkloric conception of a humankind; a “double consciousness,” as W.E.B. DuBois called it, arising from bicultural identity; irony, parody, tragedy and bitter comedy in negotiating this ambivalence; attacks upon presumed white cultural superiority; a naturalistic focus on survival’ and inventive reframing of language itself, as in language games liken “jiing,” sounding,” signifying,” and “rapping.”

2).Latin writers:

      They belong originally to Mexico.Latina/o Writer Hispanic Mexican American, Puerto Rican Nuyarican Chicane may be Huizhou or Maya. Which names to use/ the choice after has political implications. We will use the term'' Spanish-speaking people in the United States. The majority of Mexican residents stayed in place, transformed into Mexican Americans with a stroke of the pen. One of the primary tropes in Latina/o studies has to do with the entire concept of borders-borders between nations, between cultures and cultures.

3). American Indian writer:

           They are original American Red Indians.
  In predominantly oral cultures, stalling passes and religious beliefs, moral values, political codes and practical lessons of everyday life. For American Indians stories are a source of strength in the face of centuries of silencing by Euro American.




4). Asian American Writers:

They are Asian immigrates Chinese women make up the targets and most influential group of Asian American writers. Asian American literature is written by people of Asian descent in the United States addressing the experience of living in a society that views them as alien. Asian immigrants were denied citizenship as late as the1950s. Edward said has written of Orientals, or the tendency to objectify and exoticism Asian, and their work has sought to respond to such stereotypes Asian American writer include Chinese Japanese, Korean Filipino, Vietnamese, Asian, Polynesian and many other peoples of as an Indian subcontinent, and pacific.


         The idea that American identity is vested in a commitment to core values expressed in the American Creed and the ideals of Exceptionalism raises a fundamental concern that has been the source of considerable debate. Can American identity be meaningfully established by a commitment to core values and ideals among a population that is becoming increasingly heterogeneous? Since the 1960s, scholars and political activists, recognizing that the “melting pot” concept fails to acknowledge that immigrant groups do not, and should not, entirely abandon their distinct identities, embraced multiculturalism and diversity. Racial and ethnic groups maintain many of their basic traits and cultural attributes, while at the same time their orientations change through marriage and interactions with other groups in society. The American Studies curriculum serves to illustrate this shift in attitude. The curriculum, which had for decades relied upon the “melting pot” metaphor as an organizing framework, began to employ the alternative notion of the “American mosaic.” Multiculturalism, in the context of the “American mosaic,” celebrates the unique cultural heritage of racial and ethnic groups, some of whom seek to preserve their native language and lifestyle.

Postmodernism and popular culture:

   “Postmodernism” is a term usually applied to the period in literature and literary theory since the 1960s, though some regard postmodernism as the prevailing intellectual mood since World War-2 ended in 1945. Numerous Philosophers, critics, and belletristic writers can be seen as precursors or early representatives of the cultural and aesthetic approach that would come to be called postmodernism, among them Martin Heidegger, Walter Benjamin, Bertolt Brecht, Jorge Luis Borges, and Roland Barthes. Postmodernism is characterized by a strikingly radical skepticism toward all aspects of western culture, the impetus for which many practitioners of the postmodern theory trace back to the writings of the nineteenth century, philosopher Frederic Nietzsche. Nietzsche’s spiritual descendants seek, in so many words, a new kind of meaning independent of the prevailing cultural “myth” of objective truth.
      
                  Postmodernism borrows from modernism disillusionment with the givens of society; a penchant for irony. The self-conscious “play “within the work of art: fragmentation and ambiguity; and a restructured, debentured, dehumanized subject. Recently the notions of met modernism, post-postmodernism and the ‘death of postmodernism’ have been increasingly widely debated in his introduction to a special issue of the journal 20th-century literature titled ‘After postmodernism’ that “declarations of postmodernism’s demise have become a critical commonplace”. The exhibition postmodernism- style and subversion 1970-1990 at the Victorian and Albert Museums was billed as the first however to document postmodernism as a historical movement.

Post-Colonial Studies:

 Post-colonialism is a historical phase undergone by third world countries after the decline of colonialism, post-colonial theories.
Postcolonial literary theorists study the English language within the political zed context.
Gayatri Chakravorty Spivak is a postcolonial feminist who examined the effects of political independence upon “subaltern” sub proletarian women in the Third World. The critical nature of postcolonial theory entails destabilizing Western ways of thinking, therefore creating space for the subaltern or marginalized groups, to speak and produce alternatives to the dominant discourse. Often, the term postcolonialism is taken literally, to mean the period of time after colonialism. This, however, is problematic because the ‘once-colonized world’ is full of “contradictions, of half-finished processes, of confusions, of hybridist, and liminalities”.In other words, it is important to accept the plural nature of the word postcolonialism, as it does not simply refer to the period after the colonial era. By some definitions, postcolonialism can also be seen as a continuation of colonialism, albeit through different or new relationships concerning power and the control/production of knowledge. Due to these similarities, it is debated whether to hyphenate postcolonialism as to symbolize that we have fully moved beyond colonialism.

















15 February 2020

Feminism: Elaine Showalter and Gayatri Spivak




Feminism: Elaine Showalter and Gayatri Spivak








Spivak, through her cultural and critical through, tried to challenge the legacy of colonialism. She refused to admit the notion that the Western World is having an upper hand over the Third World as it is more purified from the grossness of acute barbarism. Her critical discourse raises the issues of marginal subjects such as the place of the subaltern women in society and their empowerment. Though the people could surpass the colonial rule, they are not actually free from its influences and power structures. 


Image result for Elaine Showalter and Gayatri Spivak


In the Indian cultural context, the term "subaltern‟ acquires more significance as the people have struggled hard for Indian independence. She prefers the term „subaltern‟ as it encompasses the exact picture of the lower class people. Morton quotes the words of Spivak as I like the word subaltern for one reason. It is totally situational. Subaltern began as a description of a certain rank in the military. The word was under censorship by Gramsci: he called Marxism „monism‟, and was obliged to call the proletarian „subaltern.‟ That word, used under duress, has been transformed into the description of everything that does‟t fall under strict class analysis. I like that because it has no theoretical rigor. India is a land of varieties and vitalities. It is divided into different stages in the
name of class, religion, language, ethnicity, gender, and citizenship. In this scattered outlook, the condition of the subaltern is all the more pathetic. Spivak came to the forefront of a literary circle with her celebrated essay “Can the Subaltern Speak?” The essay vindicates the apprehensions of women in India who practice the widow-sacrifice known as sati pratha . The practice of sati in the pre-independent India was considered as part of a barbaric culture by the Western World.


Feminist criticism today comprehends a diverse field of ideas and interests, disabusing one of the thought that it might represent a unified or single theoretical camp. Indeed, the disunity of feminist criticism is itself a matter for varying opinions, and feminist thinkers have reacted to the problems of internal debate with both enthusiasm and dismay. Some women believe that their political cause is compromised by internal debate because dissent allows men to discuss the importance of feminist literary theory, just as they have dismissed generations of women. Other women see dissent as the sign of a healthy pluralism not permitted to them in the male world and essential to a future of political openness and change. The future of sexual difference, they argue, depends on the recognition of all differences. One tendency, however, does appear to mark much feminist literary criticism. Feminist critics tend to assume that literature is a social institution, although the nature of the institution is still open to debate. What is at stake in feminist writing is not simply literature or criticism as such but the ethical and social consequences of women's exclusion from the world of literature in particular and the world of men in general. The result is a powerful dialogue between life and literature When feminist critics.














14 February 2020

Workshop on Quality and Authenticity of Web Resources








What is plagiarism?


Plagiarism is the "wrongful appropriation" and "stealing and publication" of another author's "language, thoughts, ideas, or expressions" and the representation of them as one's own original work. Plagiarism is considered academic dishonesty and a breach of journalistic ethics.


Academic fraud is considered by students, professors or researchers to be academic dishonesty or academic fraud, and criminals are subject to academic censorship, including deportation. Some organizations use burglary detection software to expose potential theft and prevent students from stealing. However, the software to detect the burglar does not always produce accurate results and these systems have drawbacks. Some universities consider the issue of academic integrity by providing students with a thorough approach, required writing courses, and a clearly articulated honors code. Indeed, college students have virtually the same understanding that a lack of theft is wrong. However, every year, students are brought to the disciplinary board of their institutions for allegations of misuse of resources in their schooling. "However, the practice of plagiarism is rapidly evolving through the use of word substitution to exclude detection software known as routing, as students and immoral faculties try to stay ahead of search software. [Wikipedia]

Scihi.org

Scihi.org Named to promote the basic concept of a variety of study platforms, this site is initially of excellent quality and educational value. This particular site is a continuous working group of renowned research scholars and provides authentic qualitative material for research.



Authenticity
4.0
Educational value
3.3
Intent
2.0
Originality
2.3
Quality
3.0












  www.britannica.com  

www.britannica.com students' used to categorize websites in their own analysis of education sources.   where we place our own account with our own educational questions. The beneficial part of evaluating these dimensions is to provide qualitative content in terms of originality and with a student-friendly objective in order to become aware of the quality and originality of this particular site.






Authenticity

3.0
Educational value
3.3

Intent
2.0
Originality
2.6
Quality
4.0















Language Lab