Sunday Reading: EcoCriticism

 

 

Dewang Nanavati (Dewang Nanavati is analumnus of the English Department, Maharaja Krishnakumar Singhji is also aBhavnagar University and Gold Medalist). He is a Ph.D. A scholar from MSUniversity Baroda. He is a translator of poems and short stories.) Discussed the biological thinking and explained the very wonderful poem of Yashchandra's poem "Three times again". It was a very informative session, with a lot of references to current environmental issues and a brief discussion on the topic. Combining ecocritics with cultural and mythological aspects such as chemistry, the Mahabharata, and the Gita context, we all know that natural trees are an indispensable part of human life, so its destruction will be considered an environmental problem that assumes an important dimension of nature. There is a scientific understanding of the importance of preserving the tree, before we move on to the next thing we get a general concept of eco-criticism.

The Marxist philosopher Theodore Orno describes Martin Heidegger as the "stigma of authenticity", which is found in many creatures. That prevention, which is an indifferent and politically skeptical advocate of ‘residence’, has not served to separate environmental ideals from nationalist aspirations for political rights. I argue for ecocriticism that is conscious of the global dimensions of the ecological crisis and its connections with ongoing forms of colonial power. In addition, I want to show that the narrow morality of residence should not be promoted by the ecosystem, but by the more elaborate, indeed postcolonial, connections found in King Shehdeh's Palestinian Vox (2008). Nineteenth-century standing verses about indigenous peoples have received a relatively low critique analysis; What is there has always been negative, complicating it in the evils of colonization. This essay shows that the standing poets were able to compose powerful poems designed to record the reader's sympathy for the plight of the indigenous people as a representation of political action aimed at enhancing their status. The essay notes three "crying mothers" poems from the 1830s, which puts them in controversial, high-charged discussions about their race, morals, and national goals.

As a historical work, Henry Handel is embedded in Richardson's Triangle, Richard Mahoney's Fortune, requesting, constructing and disseminating cultural memory. Describing Peter Burke's discussion of social role as an 'arrangement of the past in the present', this reading of the Australian text points to the need for active reconnection with the historical context in order to bring out the suppressed or neglected descriptions. Which resist or intersect insecurely with subsequent audience assumptions about the past. In the reading of the trilogy presented here the cultural texts - which examine both the triangular and the texts of that defined period - allow us to understand the role of Chinese immigrants in the white Australian Australian descriptive composition of the settlement. Although the apparent presence of the Chinese in the trilogy is negligible, this reading suggests that discussions about their presence for white immigrants, especially when viewed by applause theory and the cultural status of white women, are central to understanding Richardson's portrayal of Richard Mahoney. A white immigrant who fails to adjust to settled life in Australia. The reference to the historical circumstances through Chinese references in Richardson's trilogy sheds new light on the instability of Mahoney's identity with Australia, which is often read as congenital in Mahoney alone, rather than in the white and historical and cultural context. Nineteenth-century Australia settled in Australia